One of the reasons I like the Bitch in a Bonnet (I assume Robert Rodi means himself and not Jane Austen by that) is that he compensates for some of the misleading readings of Austen by "going too far".Fans of Sense and Sensibility will remember that Marianne and Willoughby disappear together at one point and we later find out that he took her to see the estate he may one day inherit. And we are shocked to further learn that they went inside and no one was there so they were inside and unchaperoned. So what does the Bitch in the Bonnet think happened?
Elinor is shocked; she must suspect, as we do, that Marianne’s criticism of the house’s unfashionable furniture is partly due to the lack of comfort to be found there when you’re flat on your back with your ankles in the air.At which point a lot of Austen fans recoil and say "No!" But should we?
There are two huge misconceptions that need to be cleared away here. The first is that Austen was sexually repressed and/or sexually unaware. That is nonsense as anybody willing to read the books with their eyes open will see. The second misconception is that extra-marital and premarital sex were unusual things at the time. They were not.
But here is the thing, you don't have to read it either way. The novel can be read consistently and plausibly either way. Austen not only doesn't connect the dots, she sets it up so you don't have to either. If all you want to see is that they did a shocking thing in going inside alone, that's all you have to see.
Or you can read more into it. I do, although I read less than Bitch in a Bonnet does. I suspect she got pinned to the wall, kissed, felt up and maybe he got some pleasure from gently thrusting himself against her a bit he doesn't think she noticed but she did. That matches my reading of Willoughby and of Marianne.
What I think can't be done, however, is to settle on an authoritative reading for everyone that excludes the possibility of sex. As is sometimes said of the Book of Ruth, whether you think actual sex happened or not the sexual tension implied by its very real possibility is an essential part of the meaning of the story.
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