Monday, June 3, 2019

"... whatever works best to get the outcome they want."

That telling phrase shows up in Ann Althouse's discussion of Clarence Thomas. She's responding to a Ross Douthat piece that argues that "in any other area" the left would argue that a general trend that led to a consistent pattern favouring white births and disfavouring black births was racist.

Try to forget what side of the argument you are on for a moment. That's what Althouse does. She tries to consider only the dynamics of the argument.

She opens her analysis with three sentences that I'm not sure I understand. Individually, I understand them well enough. It's what they do together that puzzles me.

Here is the first:
There is this idea in constitutional law that you need to pick one approach to interpretation and use it consistently, across all the issues, and that's what keeps you deciding cases according to law and not policy preferences.
"There is this idea," I take to mean, there is a position that some people argue and it goes like this. By phrasing it that way, I think Althouse is signalling that this is not her position. I now expect her to take a critical position in the next sentence, which is as follows:
An argument can sound completely cogent, but if it's not the kind of argument you always make, it's a lawyer's argument, not a judge's reasoning. 
And that is followed by this key argument:
Of course "the left" are political actors, entitled to make their lawyer's arguments, and they may not be embarrassed to find themselves switching approaches to constitutional law to use whatever works best to get the outcome they want.
So systemic racism just a lawyer's argument. Ponder that.

The phrase "they may not be embarrassed" is concealing a lot here. Let's try to spell out what is being concealed.

Lawyers argue on behalf of clients. They don't have ends of their own beyond representing their client as well as best they can.  Philosophically speaking, this is a Weberian universe where reason is used to decide means and not the choice of ends. A certain kind of liberalism follows from that: a liberalism that, as Ronald Dworkin, insists the state not take a position as to what constitutes the good life. The state will take a position about actions of individuals that might impinge on the right of individuals to pursue the good life as they see fit.

Okay, now let us consider systemic racism. A systemic position that affects actual, living people is then racist. This remains true even if none of the individuals involve are conscious of acting with racist motives or conscious of being acted upon in a racist manner. The left accepts that as a legitimate argument. Why wouldn't they accept it with regards to abortion?

One possibility, and it's the one Althouse suggests, is that they just don't care whether they are being consistent. They just want what they want. The problem here is that this suggests they don't actually have an argument for what they want, that the political ends they choose are merely tribal. And maybe they are.

But circle back to racism for a moment. The left's insistence on eliminating systemic racism has always been that this is an end worth pursuing. They typically do not admit to be using this as a strategy to achieve other ends. The implication of Althouse's argument is that this is what they are indeed doing. And if that is true it is also reasonable to infer from their response to Clarence Thomas that they do not particularly care about system racism. They only care about these other ends; ends that are, not incidentally, unstated.

Thursday, May 30, 2019

"Beta male" is the wrong term

I've written about this before. It seems to me that people are pointing at something real and important when they use the term "Beta Male" witness the pathetic display of Moby in recent days.

But the expression "beta male" is awful. There can only be one alpha in any group. To engage in that sort of language is to trap yourself in a  zero sum game that you are almost certain to lose. It also precludes cooperation.

I much prefer Robert Glover's condemnation of making moral decisions by committee. You want to be a man who decides what is right and does it and not a man who farms out his moral decisions to the community around him. Glover called the sort of man who does that a "nice guy". That term is less offensive but, perhaps precisely because it is that, it is also less useful.

Monday, May 27, 2019

Windows

A couple of shots I took while out tonight.

From the clubhouse at The Royal Ottawa Golf Club. 


Trees silhouetted against a neighbour's window.



Thursday, May 23, 2019

Progressivism and puritanism

This is a quote from an article deploring a boycott of Morrissey. I've always found Morrissey too irritating to keep informed of what he does so I have no idea if what he has or has not done is defensible. But this specific claim intrigues me (emphasis added):
Only this boycott isn’t organised by uptight Bible-bashers, Mary Whitehouse-style loathers of punk, or racist posh women, who think a young black man saying ‘Fuck tha police’ is the end of civilisation as we know it. No, the boycotters this time are progressives. Or at least that’s how they’d describe themselves, somewhat inaccurately.
There are two assumptions behind that. The first is that progressives are good people and the second is that moral puritanism isn't typical of progressives.  I'm inclined to believe the first one; I think most progressives mean well even though they often produce negative outcomes. The second, though, I don't believe. If anything, it seems to me that puritanical moral attitudes and progressivism go hand in hand. Not all puritans are progressive but all progressives become puritanical.

Wednesday, May 22, 2019

The Rebel Preppy

 Ralph Lauren Magazine has a piece up with a subhead that reads, "Why preppy style was always about breaking the rules—not following them." That's not crazy talk. There is something right about it. As I was writing yesterday, wearing boat shoes without socks was a kind of rebellion. But is Ralph Lauren selling rebellion today?

If you look at the picture that accompanies that accompanies that article, you'll notice what might be taken for anarchy. Here is the central figure:



It looks like he is breaking rules all over the place. He's wearing a Madras jacket with patchwork jeans along with a tennis sweater over a striped shirt with a tie and suspenders over the sweater. That should be chaos. If you owned similar items and just put them on, the result would be chaos. It's not chaos in that picture because skilled designers have worked very hard to pick colours and patterns that would complement one another. Notice how gold, blue and burgundy repeat throughout and how the patchwork jeans echo the patch-like effect of the madras. That may look like a bunch of items a prep kid might have pulled out of his closet but it's actually the furthest you could get from the preppy spirit. There are only two ways to get that look: 1) either you invest a lot of time in learning design rules and following them or 2) you buy all those pieces from Ralph Lauren where designers who understand the rules. A look that was created by kids rebelling against parents has become a look designed to make you childishly dependent on Ralph Lauren.

Let's consider some Thomas Aquinas for he is obviously germane to the issue of prep.
We must now consider the vices opposed to prudence. For Augustine says (Contra Julian. iv, 3): "There are vices opposed to every virtue, not only vices that are in manifest opposition to virtue, as temerity is opposed to prudence, but also vices which have a kind of kinship and not a true but a spurious likeness to virtue; thus in opposition to prudence we have craftiness." 
The key issue  is the bit I've highlighted. Leaving prudence aside for the moment, it seems to me that you could not come up with a better description of the relation between Ralph Lauren and preppy than to say, RL has a kind of kinship that is not a true but a spurious likeness to preppy; thus in opposition to preppy we have identity. I want to be a "rebel prep" so I go to RL and buy rebel clothes.

"Identity" is a tricky thing. At first glance, you'd think that identity is a source of security. This identity, whatever it might be, is something I own and therefore have a right to. Look around a bit, however, and you will see people desperately fighting to defend their identity. No matter how certain you feel about your identity, you need other people to assent to it. Thus all the concern about pronouns in the trans debate.

Preppy, to begin with, was just the way upper middle class people on the Atlantic coast dressed when they were on vacation. It was the face you put forward for your inner group. Back in the 1970s there were regular Thanksgiving gatherings of my mother's family in Cape Cod, Prince Edward Island or Notre-Dame du Portage. The location shifted back and forth between where her various sisters were summering. About thirty of my cousins would gather and  there was an undeniable family resemblance in both the people and the clothes they wore. Then we'd go back to school and all feel a little odd because those clothes we wore weren't quite right. We stood out. And not in a good way. There was nothing glamorous about us.

Ralph Lauren was a Jewish kid who grew up in the Bronx. He craved glamour. He studied it and made a lot of money selling what he took to be glamour to others. He didn't just sell clothes, he sold a set of rules about how to dress to get the look. This is not rebellion but high-school-style peer pressure applied through advertising.

Those of us who dressed "prep" before it had a label in the 1970s represented a way of life that seemed like it was on the way out. Everybody seemed to agree about that. Every night television news showed a new world taking over. It's hard to imagine now but every hair stylist and clothing store had a sign in the window that said "unisex". I remember reading a column by Robert Fulford in this period where he predicted that art would replace religion and clearly delineated differences between men and women would disappear. The notion was that men and women would  have their haircut the same way and wear the same kinds of clothes. It was complete nonsense, of course, in very short order women figured out that wearing the same jeans their boyfriends wore wasn't flattering and men figured out that getting the same haircut their girlfriend had was bloody expensive and required a whole lot of maintenance to no real end. On the other hand, girls at my high school figured out that the jeans could be fairly flattering if only you wore them tight enough. They also figured out that they could wear the same T-shirt as all the guys but make it very clear they were girls by not wearing a bra.

For the people pushing this revolution it didn't matter so much whether the new thing worked. What they wanted was the destruction of the old. All they succeeded in doing, however, was to create a backlash. The backlash had no unifying principle. The late 1970s saw the rise of punk rock, lingerie stores, nerd culture and preppy. The only thing they had in common was that they had no intention of being swept aside.

So, yes, preppy was always about breaking rules. In practice, however, breaking rules is really a matter of choosing a different set of rules. Contrary to the cultural elite who favored a world where the rules were constantly changing, a world that, not incidentally, favors the cultural elite, preppy rebels wanted rules that suggested a certain permanence.

Tuesday, May 21, 2019

Historical irony concerning boat shoes

Muffy Aldrich, whom I'm inclined to like because of the people who hate her, had a discussion on her blog about boat shoes. Her readers chipped in on various subjects including whether it is okay to wear them with socks. Spoiler: it is!

It struck me that there is an interesting historical irony here. The practice of wearing boat shoes without socks initially sprang up as a form of rebellion among upper-middle-class teenagers. I know this because I was one of them. I'm not sure when it began. It was well-established by the time I came along in the last-half of the 1970s.

"Rebellion" is a relative term. Upper-middle-class kids in those days did not buy their own clothes. They went shopping with mommy (or, if you were Canadian as I was, went shopping with "mummy"). We wore more or less what we were told to wear. Rebellion, then, could only mean wearing what you were told to wear with a certain flair. Thus boat shoes and loafers were often worn without socks.

This information got published in The Preppy Handbook and it became a style to copy. Ironically, what was initially a rebellion became a rule. And now there are people who insist you can't wear socks with boat shoes.

Worse, there are people who will advocate wearing those horrid little sockettes that won't show. Nothing could be further from the preppy spirit. The right choice is a rough wool sock. (Why wool? Because it's still warm when wet.)

Monday, May 20, 2019

"I'm in front of the camera and not behind it"

Here's a video that a lot of people will be familiar with and a lot more people will have never heard of.



As often happens with me, the only reason I know about this bit of pop culture is because Ann Althouse commented on it. She says in her post comment that, "Something very big or very small appears to have happened." And that catches the spirit of the thing. This is like watching the head mean girl from your high school explaining why she felt the need to crush some other kid, destroy them, in front of everyone else. Only this isn't a high school student, Tati Westbrook is married woman in her thirties who has the emotional and moral intelligence of a 17-year-old. That has a lot to do with her success. The beauty and entertainment industry has long been dominated by people who are older than the audience they appeal to; it has long been dominated by people who are driven by a desperate need for love in the form of fame.

The quote in the header to this post appears at about the 40 minute mark. And I get her point: she's 37 years old and she's a beauty icon. That's unusual but not unheard of. On the other hand, the notion that a woman would be big in the beauty industry by working in front of the camera is not exactly revolutionary. You could argue that the teen-aged boy she is slapping down is far more revolutionary in being a gay man in front of the camera although even that is not nearly as new as people like to pretend.

(Doris Day, who died last week, achieved her greatest fame in the years from 37 to 46. And she was a cultural giant who dwarfs all these YouTubers put together.) 

Bottom line: everything we see in this video is the height of conventionality: it's a feud between an ambitious and manipulative woman and an equally ambitious and manipulative gay man who have teamed up to promote unrealistic expectations for young women to motivate them to spend billions of dollars on products that promise more than they deliver. That describes the beauty industry from 1870 to 2019.

Authenticity

What really struck me though was a Vox article Althouse linked to that takes sides in the feud under the guise of explaining it. More precisely, I was intrigued by the way the article used the concept of authenticity.

Authenticity is a weird notion and it's especially odd to find it coming up in this context for authentic is not what Tati Westbrook is. She doesn't even fake it as the old entertainment business joke goes. Everything about her is a performance. I don't criticize her for that. Authenticity isn't what she's aiming for. So why is the word being used?

Here is how Vox brings it up.
But the Charles-Westbrook feud is also as good a look as any into the lucrative ways YouTube works. The platform may reward authenticity and encourage gurus like Charles to open up about their personal lives as well as their work. Yet the YouTube audience can just as easily flip the script and turn on their favorite personality — and decimate not just their public image but their entire livelihood.
The platform rewards authenticity? What the hell are they talking about? That's a serious question because they are talking about something. It just isn't authenticity.

If we look at the quote, authenticity appears to be about opening up about your personal life. Well, you can see Westbrook do that above. Except that she's performing. And she's not hiding the fact that she's performing. She's overacting to a degree that is staggering. That's not opening up.

The second aspect of "authenticity" as Vox sees it is that it's tenuous. The audience could flip on you and turn against you. But authenticity, whatever it is, is said to be a quality about you. Impressions can be wrong and they can, indeed, flip in a second. But if authenticity means anything at all, it has to mean something stable about the person who has it.

The word shows up three times in the article. The second and third are in one paragraph.
BeauTubers’ authority is born out of a perception of authenticity, and many gurus underline this authenticity by opening up about their personal lives onscreen. They reveal their darkest secrets, talk about their miscarriages, or detail their plastic surgery. They continually reassure their subscribers that they wouldn’t have gotten this far without them.
I've left all the links in that just in case you have a desire to see people spill their darkest secrets in a terribly conceited way as part of a pathetic struggle for fame. If we look past that, we see an interesting shift. It's not authenticity that YouTube rewards but "a perception of authenticity". And the stars of the medium "underline this authenticity by opening up about their personal lives onscreen."

Suppose you woke up decided you wanted to be authentic. Would opening up about your personal life in a public forum be a good way to do that? I would think not. I can't imagine a better to way to ensure that you'd lie and lie and lie than doing that. Just the pretense that you'd make yourself vulnerable to people who don't know you in that way seems nonsensical.

I say "seems" because there are clearly people who believe it. Reading about these YouTube stars inspires pity. Someday we will be reading about deaths by suicide. Or, more likely, not as their being completely forgotten will be a factor in those suicides.

Authenticity is a very slippery notion.